This scene opens with an extreme long shot to establish the setting as well as to visualise the fact that the characters are travelling in a car. It shows the audience that this is a rural area in the countryside, with nobody around as the car is isolated.
We're led onto this second long shot which shows where the car is actually travelling to, as it shows two subjects: the car (which is in focus) and an old house/farm (in the background but subject is moving towards it).
Next, a medium shot is used which continues on from the previous shot to reveal who is in the car. The shot reveals the two main characters in the foreground, another old police officer in the background, and a dog, which are all introduced.
It quickly cuts to a new location, showing an old man. A close up is used to show the character in detail while he speaks.
This medium shot shows the main characters listening to the old man, from his point of view. They are arranged symmetrically to look uniform and appealing.
Simon Pegg turns around to discuss what the man has said with the two other officers, turning his back to him. The man in still visible in the background however, to remind the audience that he is still there, and for comedic effect as he's being talked about. The shot still remains a medium shot, but it's a bit tighter.
It then cuts to a long shot as Simon Pegg replies to the old man, which reveals the setting in more detail, with the old looking chair, barricaded gate and wall separating the group from the old man.
We then cut back to this medium shot as Simon Pegg continues to reply to the old man.
Next, this medium shot is used to show the isolated old man's response, and to connote the fact that he is alone. This shot also reveals more of the location.
It then alternates between these two shots as they have a conversation, until, the old man says something shocking, which is responded by a fast dolly zoom towards Simon Peggs's face in shock, building suspense and dramatic tension before changing to the next scene.
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| Dolly Zoom towards Simon Pegg |
The shot starts in complete darkness, then a door is opened revealing a shed, as light casts a silhouette on the interior of the shed through the door. This gives off a mysterious vibe and leads the audience the question whats inside, as it's hidden by darkness. The shot is a long shot to establish the location.
It then changes to this close up showing the old fashioned light switch suggesting more about the area, with the old mans hands turning them on, to reveal whats inside the shed. This is a suspenseful shot.
Next, lots of quick shots are cut with each other showing the lights turning on and a range of close ups of a variety of guns, to show the impressive collection. This is done to add intensity to the scene and to impress and shock the audience as it is unexpected. The shots are each under a second long and are very fast.
